RITCHIE’S RICOH RECIPES — Custom JPEG Settings for Ricoh GR Cameras

The direct colour output from the Fujifilm body or the “Film simulation formula” that allows you to adjust many of your negatives has always fascinated us… We can also use the Ricoh GR3 like a Fujifilm body to change the colour settings of your GR3 by updating the settings in the body to produce different colour effects on your negatives.

Today I would like to introduce Ritchie Roesch, who has been sharing many Fuji analogue colour recipes on his Fujifilm X Weekly in the past. He has recently set up another section to share his Ricoh GR3/3x, and GR1/2 colouring…


RITCHIE’S RICOH RECIPES — Custom JPEG Settings for Ricoh GR Cameras

一直以來,很多朋友對於富士機身直出的色彩或機內可以調整很多底片模擬調色的 “ 配方” 覺得非常吸引…其實Ricoh GR3 也能像富士機身般,透過更新機身內的設定參數,自行調校手上的GR3 色彩設定,即可得出不同的底片色彩效果…

今日要介紹的是Ritchie Roesch,他過去一直也在自己Fujifilm X Weekly 分享很多富士模擬調色配方,近日他建立另一個部部落分享他的Ricoh GR3/3x 及GR1/2 調色配方,網站上的設定也是免費分享的,較後的時間亦會推出手機
Ricoh Recipes App ,到時可以透過APP 內的訂閱獲取更多的調色配方…

RITCHIE’S RICOH RECIPES — Custom JPEG Settings for Ricoh GR Ca …


今日要試試,使用 “ 平場校正” 功能,修正舊旁軸廣角鏡頭邊位偏紅、偏綠等的問題,這類紅移或綠移,最常發生於舊廣角鏡頭,通常在28mm 以下,由於還是鏡頭設計還是底片優化向,鏡頭的入射角度太大,邊位容易出現不同程度的 “ 紅移/紅閘 或綠移/綠閘” 等問題,影像左側或右側會出現綠色、洋紅色等,如果你手上有這類舊旁軸鏡頭落在早期的數碼機身相信也應該一定有見到…

左: Minolta G-Rokkor 28/F3.5 LTM 修正後的表現
右: 修正前,照片右側出現的洋紅色偏色/紅移的問題


你是手動鏡頭愛好者嗎?

筆者過去十年多的時間的拍攝時間,大部份的時間也是轉換老鏡、手動鏡頭使用…相對最新推出的原廠鏡頭來說,老鏡/手動鏡帶來更平宜、更高玩味的樂趣…筆者並不在意需要手動對焦,但由於鏡頭沒有拍供任何的電子接點,意味著你拍攝後的照片,在EXIF 內也沒有提供鏡頭資料數據…

為什麼要添加鏡頭資料數據?

更好的記錄保存

EXIF 是記錄每個鏡頭的關鍵信息記錄。如: “這張照片是用什麼鏡頭拍攝的?如果沒有適當的exif 就很難記錄所有的內容,通常大部份朋友,可能會更改照片名稱如20210902_L1009782_11874_Central.DNG/JPG, 以日期、檔案名稱、鏡頭資料、地點作照片名稱,但這樣照片的名字就真的有點太長了…如果RAW 或Jpeg 已經記錄了 鏡頭基本資料這樣找起來也會更為方便


The Leica Summilux-M 35mm F1.4 may also be one of the Dream lenses for many people.

Today I would like to introduce this Leice 35mm F1.4 (2010- now). I got this lens around the beginning of 2012, when the speculative frenzy had passed, and I could get it at a more typical price, around USD5500 for used and USD6400 for brand new. I got the lens with the M9+11663 back in the day. The quality of the image surprised me. Unfortunately, I sold the 11663 only after I got the Leica 35/1.4 ASPH 11874, during which I mainly used the Leica M9, Sony A7, Sony A7R2/R3 thin Mod camera, etc.

11663 Floating lens kit technology added to improve inaccurate focus at close range

The floating lens technique is a…


Leica Summilux-M 35mm F1.4 可能對很多人來說也是其中一棵的Dream lenses

今日筆者要介紹這棵Leice 35mm F1.4 (2010- now), 筆者入手這棵鏡頭的是間大約在2012 初左右,當年剛好炒價的熱潮已過,可以用上較為正常的價錢入手,大約二手在43000–45000 左右,而全新大約在49–50000 HKD 左右…筆者當年入手也是配上M9+11663, 當年的畫質表現或觀感真的有讓人非常有驚喜之感 “嘩嘩嘩” …筆者大約持有這棵鏡頭達 六年多的時間,在入手Leica 35/1.4 ASPH 11874 後才把11663 賣掉,其間最主要是使用Leica M9, Sony A7, Sony A7R2/R3 thin mod 相機等…

11663 加入浮動鏡組技朮設計改善近距離對焦不準確的問題

浮動鏡組技朮是根據不同對焦距離下,內部鏡組做出不同程度的運行來修正精準度,針對數碼年代需要高精確度的觀看方式。對焦點的 …


GXR / A12 50mm Macro

Today I’m going to talk about the same topic that I’ve repeatedly been repeating for over a decade…

Let’s start with the conclusion that “No one is better than the other. The most important thing is to match your workflow, needs and usage…”

RAW vs Jpeg

LI Sam

Leica, GR3, Sony, Minolta & Film user, Street Photographer based in Hong Kong… 小小的器材控,近年學習放下器材,走進行頭小巷拍攝生活日常的小事小景 https://linktr.ee/samlee.hk

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